Winterthur Portfolio fosters knowledge of the North American past by publishing articles on material culture and the historical contexts within which artifacts developed. The journal presents scholarship that critically engages art history, history, geography, ethnology, archaeology, anthropology, folklife studies, and literature. We invite articles that are analytical and synthetic rather than descriptive, and we encourage interdisciplinary studies that integrate artifacts into a cultural framework.
Coverage: 1964-2015 (Vol. 1 - Vol. 49, No. 2/3)
The "moving wall" represents the time period between the last issue available in JSTOR and the most recently published issue of a journal. Moving walls are generally represented in years. In rare instances, a publisher has elected to have a "zero" moving wall, so their current issues are available in JSTOR shortly after publication.
Note: In calculating the moving wall, the current year is not counted.
For example, if the current year is 2008 and a journal has a 5 year moving wall, articles from the year 2002 are available.
- Terms Related to the Moving Wall
- Fixed walls: Journals with no new volumes being added to the archive.
- Absorbed: Journals that are combined with another title.
- Complete: Journals that are no longer published or that have been combined with another title.
Subjects: History, Architecture & Architectural History, History, Art & Art History, Arts
Collections: Arts & Sciences III Collection, JSTOR Essential Collection
American Artifacts: Essays in Material Culture3.47 · Rating details · 43 Ratings · 6 Reviews
When defining culture, one must indeed take into account even the minutest of details. What of a lighter, for example, or a telephone? The essays in this new collection examine just that. The contributors pose not only a historical, pragmatic use for the items, but also delve into more imaginative aspects of what defines us as Americans. Both the lighter and the telephoneWhen defining culture, one must indeed take into account even the minutest of details. What of a lighter, for example, or a telephone? The essays in this new collection examine just that. The contributors pose not only a historical, pragmatic use for the items, but also delve into more imaginative aspects of what defines us as Americans. Both the lighter and the telephone are investigated, as well as how the lava lamp represents sixties counterculture and containment. The late nineteenth-century corset is discussed as an embodiment of womanhood, and an Amish quilt is used as an illustration of cultural continuity. These are just a few of the artifacts discussed. Scholars will be intrigued by the historical interpretations that contributors proposed concerning a teapot, card table, and locket; students will not only find merit in the expositions, but also by learning from the models how such interpretation can be carried out. This collection helps us understand that very thing that makes us who we are. Viewing these objects from both our past and our present, we can begin to define what it is to be American....more
Paperback, 255 pages
Published October 31st 2000 by Michigan State University Press (first published September 20th 2000)